Mary Connell (Nikki Cox) is dressed in a red cowboy-type shirt showing a good deal of cleavage and tight jeans that show her midriff. She steps in to a room where she planned to tell a touring comedian to get off the hotel’s property, but finds him in the middle of a computer hacking scheme. He pulls a gun and points it at her, forcing her to enter the room. She tries to bargain with him but was unsuccessful.

Later we go to a slow pan of her tied to a director’s chair. She is first shown from behind: a nice close-up of her wrists tied behind the backrest with white rope, a quick out-of-focus glimpse of more white rope around her ankles and a hint that her thighs are tied down. As the camera comes around front, we do see that more of the white rope is tied to the down-posts of the chair arms, securing her thighs to the seat.

Following some more dialogue between them, in which she basically tells him to get bent, he reaches over to pick up a folded red bandanna from the table and by pulling on a third of the way between the two ends, snaps to show her that it is meant to be a gag (this brings a little gasp from her). He leans over and tightly cleave gags her with it. The cleave is thick enough to be believable and he ties it around her head (over the hair). We get a quick full-body view of her chair-tied and gagged before he heads out the door. Of course it was also very nice of our scoundrel to come prepared with rope and a pre-folded bandanna.

Soon the staff burst in to rescue her and we again see her from behind, some good gagged sounds and an onscreen ungagging. This part is over very quickly, though.

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